20 September 2022

St Peter's Complaynt : Lines 37-60

[
These posts contain revised and expanded notes to St Peter's Complayntconsidered by many to be the last poem written by St Robert Southwell ("RS") before his martyrdom on the 21st of February 1595.  The original series of posts was first published in 2018 on our sister site, Mary's English DowryI have expanded my original notes so as to provide a more detailed critical apparatus - with fairly extensive use of quotations from the period in which RS wrote. I have also included paraphrases with the aim of making the poet's language more accessible to modern readers.]




👈The Tears of St Peter -1587 until 1596 
El Greco (Domḗnikos Theotokópoulos) 1541-1614
Museo Soumaya at Plaza Carso, Mexico.



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- 7 - 

Sad subiect of my sinne hath stoard my minde,
With euerlasting matter of complaint;
My threnes an endlesse alphabet doe finde,
Beyond the pangs which Ieremie doth paint. [40]
That eyes with errors may iust measure keepe,
Most teares I wish, that haue most cause to weepe.


    The sorrowful subject of my sin has been stored in my memory; there is so much matter for grieving that it seems it could go on for ever. My lamentations would fill alphabetical poems without end, going even further than the the Lamentations of Jeremias. I, having the greatest cause to weep, wish for the greatest abundance of tears, so that my eyes may respond in proportion to my iniquities.


    37-38. The poet here speaks of memory, one of the three powers or faculties of the soul. 
    37. stoard. stored.  Vide verse LVII infra, a1595   R. Southwell St. Peter's Complaint (1602) verse LVII: 15   Sweet volumes stoard with learning fit for Saints.
    39. threnes. threne: A song of lamentation; a dirge, threnody; formerly spec. (in plural) the Lamentations of Jeremiah (Septuagint θρῆνοι Ἰερεμίου, Vulgate Threni). Vide 1601 W. Shakespeare Phoenix & Turtle in R. Chester Loves Martyr 171   Whereupon it made this Threne To the Phœnix and the Doue.
    alphabet. A poem that has each verse or line beginning with a different letter of the alphabet in alphabetical order; an abecedary, an alphabet poem; (sometimes also) an acrostic. Vide 1595   P. Howard tr. J. J. Lansperger Epist. Christ to Faithfull Soule 296   A Hymne of the Life and Passion of our Sauiour Christ, made after the manner of an Alphabet, euerie verse beginning with euerie Letter. 
    This refers to the structure of the Book of Lamentations written by Jeremias (the Ieremie of line 40). The first, second, fourth, and fifth laments are each composed of twenty-two verses, to correspond with the number of letters in the Hebrew alphabet; the third lament is made up of three times twenty-two verses.
    40. pangs. A sudden sharp feeling of mental anguish or intense emotional pain. Vide 1590   E. Spenser Faerie Queene ii. i. sig. N5v   The bitter pangs, that doth your heart infest.
    measure. Perhaps a reference to measure in music and poetry: Rhythm; rhythmical motion, esp. as regulated by music; the rhythm of a movement or piece of music. to keep measure: to observe strict time. With a figurative extension in other contexts. Vide 1697 M. Prior Satire Mod. Transl. 120   The just Measure of a tuneful Dance.


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- 8 -

All weeping eyes resigne your teares to me,
A sea will scantly rince my ordur'd soule;
Huge horours in high tides must drowned be: [45]
Of euery teare my crime exacteth tole.
These staines are deepe: few drops take out no such;
Euen salue with sore, and most is not too much.


    All you who are weeping, please send your tears to me; all the waters in the sea would scarce be enough to wash away the stains on my soul; high iniquities must be washed over with high tides of forgiveness. My crimes take a toll of every tear; the stains of sin are deep and are such as to need more than just a few teardrops. The healing salve must be proportionate to sin’s injuries; even if I could receive the most, it would not be too much.


43. resign. To hand over (a physical object, a possession, an asset, etc.); to give up ownership of or claim to (something in one's possession or charge); to cede. Vide 1535   W. Stewart tr. H. Boethius Bk. Cron. Scotl. (1858) II. 713   That all Northumberland And Cumbria he sould frelie resing, Into the handis of this Dauid king. To consign, make over, deliver up to a person, thing, circumstance, etc. Vide 1561   R. Norvell Myroure of ane Christiane f. 61   My supplicatione I resing Onlie to Thé, and my intent I do present.
44. scantly. Scarcely, hardly, barely. Vide 1585   Abp. E. Sandys Serm. x. 153   Wee are hearers of the woord, and yet skantly that.
Rince. Rinse. To immerse (something) in water or pour water on to or over (something), so as to remove impurities. To cleanse, make pure. 
ordured. Defiled with ordure; soiled; polluted; filthy.
45. horours. Horrors.
46. tole. Toll.
48. even. To even: To match, to make equal, to equal. Vide c1450  (▸?c1400)    tr. Honorius Augustodunensis Elucidarium (1909) 18 (MED)   Goddes sone..to alle þat were firste predestinate to heuene, he openyde heuene & euenede hem to aungels.
salve. A healing ointment for application to wounds or sores. A remedy (esp. for spiritual disease, sorrow, and the like). Vide 1563   2nd Tome Homelyes Repentance ii, in J. Griffiths Two Bks. Homilies (1859) ii. 541   That they may receive at their hand the comfortable salve of God's word.
sore. Sickness, disease; in particularized use, a disease, ailment, or bodily affliction.  In figurative and allusive uses, with retention of literal phraseology; esp. coupled with salve. e.g., c1460  (▸?c1400)    Tale of Beryn 3588   They sawe no maner selve for soris of hir hert


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- 9 -

I fear'd with life, to die, by death to liue;
I left my guide, — now left, and leauing God. [50]
To breath in blisse, I fear'd my breath to giue;
I fear'd for heauenly raigne an earthly rod.
These feares I fear'd, feares feeling no mishaps:
O fond! O faint! O false! O faultie lapse!


    I feared whilst living to die unto myself, so that by death unto myself I might live with a life everlasting. I abandoned my Guide and, once gone, I found myself leaving God. I had the hope of breathing with the blessed the eternal bliss of Heaven — but I was afraid to give my last breath in dying. I feared that seeking the kingdom of Heaven would mean a punishment for me here on earth. These were the fears that made me afraid, fears that had no sense of sin; this wicked lapse of mine : how foolish! How wanting in courage! How treacherous! 


        49. Peter feared he would lose his life if he admitted that he knew Christ and was one of His followers. He was prepared to keep his own life, even in the knowledge that his Master was going to lose His.  There are perhaps echoes here of St Paul’s words:
“For none of us liveth to himself; and no man dieth to himself. For whether we live, we live unto the Lord; or whether we die, we die unto the Lord. Therefore, whether we live, or whether we die, we are the Lord's. For to this end Christ died and rose again; that he might be Lord both of the dead and of the living.” [Romans xiv. 7-9]
50. I left my guide. Christ had taught “I am the way, the truth and the life;” [John xiv. 6] “I am the light of the world: he that followeth me, walketh not in darkness, but shall have the light of life.” [John viii. 12] By leaving his guide, Peter left the way and the truth leading to eternal life; he chose to leave his guide’s light and found himself in fearful darkness.
51. blisse. The perfect joy of heaven; the beatitude of departed souls. Hence, the place of bliss, paradise, heaven. The meaning of bliss and that of bless have mutually influenced each other since an early period; compare bless v.1; confusion of spelling is frequent from the time of Wyclif to the 17th cent. Hence the gradual tendency to withdraw bliss from earthly ‘blitheness’ to the beatitude of the blessed in heaven, or that which is likened to it. Vide 1595   W. Shakespeare Henry VI, Pt. 3 iii. iii. 182   By the hope I haue of heauenlie blisse.
52. raigne. Reign. The kingdom of heaven or of God; vide 1594   R. Carew tr. T. Tasso Godfrey of Bulloigne i. 50   Th' angels earst banisht from the heau'nly raine.
    rod. A means or instrument of punishment; (also) punishment, chastisement. Vide 1598   W. Shakespeare Henry IV, Pt. 1 iii. ii. 10   Thou dost..Make me beleeue that thou art..the rod of heauen, To punish my mistreadings.
54. fond. There are several layers of possible meaning here: 1) Foolish, silly. Vide 1580   J. Lyly Euphues & his Eng. (new ed.) f. 9   He that is young thinketh the old man fond. 2) Of opinions, beliefs, etc.: held with strong or unthinking affection; foolishly optimistic. Vide 1548   N. Udall et al. tr. Erasmus Paraphr. Newe Test. I. Mark vii. f. l   For suche folishe trifles, they chalenged the prayse of holines, and brought the people in a fonde beliefe.
faint. 1) Feigned, pretended, simulated. 1569   R. Grafton Chron. II. 93   And finished the sayde peace with an assured othe..but it semed a faynt peace. 2) Wanting in courage, spiritless, cowardly. 1535   Bible (Coverdale1) Psalms cxlii[i]. 7   My sprete waxeth faynte
false. Mendacious, deceitful, treacherous. 
faultie. Containing faults, blemishes or defects; defective, imperfect, unsound. Of persons, their qualities, etc.: Having imperfections or failings; apt to do wrong or come short of duty. (a) That has committed a fault, error, or offence; guilty of wrongdoing. Obsolete.  (b) That is in fault or to blame (for some undesirable results). Vide 1556   tr. J. de Flores Histoire de Aurelio & Isabelle sig. C3   Whatsoeuer person that were founde faultie of like errour.
lapse. A falling from rectitude, imputable to weakness or lack of precaution: a moral ‘slip’. A lapsing or apostatizing from the faith, a falling into heresy. Also, in weaker sense, an involuntary deviation from one's principles or rule of action. 1582   Earl of Essex in H. Ellis Orig. Lett. Eng. Hist. (1827) 2nd Ser. III. 80   I do beseache your good Lordship, notwithstanding the lapse of my youth, still to continue a loving frende unto me.


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- 10 -

How can I liue, that thus my life deni'd? [55]
What can I hope, that lost my hope in feare?
What trust to one, that Truth it selfe defi'd?
What good in him, that did his God forsweare?
O sinne of sinnes! of euils the very worst:
O matchlesse wretch! O catiffe most accurst! [60]


    How can I live who thus denied my Master, who called Himself “the life,” denying myself thereby eternal life? Through fear I have lost my hope, losing Him who gives us hope of glory; what now can I hope for?  What trust can I truly have in myself, someone who rejected his Master who called Himself “the truth”? What good can there be in one who denied his Master with an oath? What a sin, so much worse than any other! The very worst of evil iniquities! Most vile and pitiful creature! What a most damnable wretch! 

    55.& 57. my life denied / Truth it selfe defi'd. Peter denied his Master, who had taught “I am the way, the truth and the life,” [John xiv. 6] and “ I am come that they may have life, and may have it more abundantly.” [John x. 10]. Through his sin of cowardly betrayal, Peter denied himself eternal life.
    56. The three theological virtues are Faith, Hope and Charity. Hope is a supernatural gift of God, by which we firmly trust that God will give us eternal life and all means necessary to obtain it, if we do what he requires of us.(Penny Catechism Q136; vide Baltimore Catechism Q. 466 et seq.)
    hope. Note the words of St Paul: “To whom God would make known the riches of the glory of this mystery among the Gentiles, which is Christ, in you the hope of glory.” [Coloss. i. 27]
57. defi’d. Defy: To set at nought; to reject, renounce, despise, disdain, revolt at. Vide 1549   J. Olde tr. Erasmus Paraphr. Thess. 4   I defie all thinges in comparison of the gospel of Christ.
58. forsweare. To deny or repudiate on oath or with strong asseveration. Note Peter’s oaths in Matthew’s Gospel:
“And as he went out of the gate, another maid saw him, and she saith to them that were there: This man also was with Jesus of Nazareth. And again he denied with an oath, I know not the man. And after a little while they came that stood by, and said to Peter: Surely thou also art one of them; for even thy speech doth discover thee.  Then he began to curse and to swear that he knew not the man.” [Matt. xxvii. 71-74]
60. wretch. One driven out of or away from his native country; a banished person; an exile. A vile, sorry, or despicable person; one of opprobrious or reprehensible character; a mean or contemptible creature. Vide a1555   J. Careless in M. Coverdale Certain Lett. Martyrs (1564) 230   Vnto me moste vile, sinnefull, wicked and vnworthy wretch.
catiffe. caitiff: A. 2. Expressing commiseration: A wretched miserable person, a poor wretch, one in a piteous case. Expressing contempt, and often involving strong moral disapprobation: A base, mean, despicable ‘wretch’, a villain. In early use often not separable from sense A. 2   (esp. when applied by any one to himself): ‘it often implies a mixture of wickedness and misery.’ Vide c1540  (▸?a1400)    Destr. Troy 10352   As a caiteff, a coward, no knighthode at all.


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Totus tuus ego sum
Et omnia mea tua sunt;
Tecum semper tutus sum:
Ad Jesum per Mariam.

18 September 2022

St Peter's Complaynt : Lines 1-36

The Tears off St Peter. El Greco.

[These posts contain revised and expanded notes to St Peter's Complayntconsidered by many to be the last poem written by St Robert Southwell ("RS") before his martyrdom on the 21st of February 1595.  The original series of posts was first published in 2018 on our sister site, Mary's English DowryI have expanded my original notes so as to provide a more detailed critical apparatus - with fairly extensive use of quotations from the period in which RS wrote. I have also included paraphrases with the aim of making the poet's language more accessible to modern readers.]




👈The Tears of St Peter -1587 until 1596 
El Greco (Domḗnikos Theotokópoulos) 1541-1614
Museo Soumaya at Plaza Carso, Mexico.



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- 1 -

Launch forth, my soule, into a maine of teares,
Full fraught with griefe, the trafficke of thy mind;
Torn sailes will serue, thoughts rent with guilty feares:
Giue Care the sterne, vse sighs in lieu of wind:
Remorse, thy pilot; thy misdeede thy card; [5]
Torment thy hauen, shipwrack thy best reward.


He addresses his soul – note the use of thy mind, thy pilot etc.

Launch thyself forth, O my soul, like a ship into an ocean of tears; thou art fully laden with grief, thy mind’s cargo is sorrow; sails torn asunder are thy thoughts rent with guilty fears; and aft, at the stern, is suffering; thy sighs will serve in place of the wind; the ship’s pilot is remorse; the nautical chart is thine evil deed; thy safe haven is torment; shipwreck is thy just reward.

1. Launch. c. 1300, "to rush, plunge, leap, start forth; to be set into sudden motion," from Old North French lancher, Old French lancier "to fling, hurl, throw, cast," from Late Latin lanceare "wield a lance," from Latin lancea "light spear". Meaning "to throw, hurl, let fly" is from mid-14c. Sense of "set (a boat) afloat" first recorded c. 1400, from notion of throwing it out on the water; generalized by 1600 to any sort of beginning. Related: Launched; launching.
“. . . . the image of the sea with which the poem opens reflects not only Peter’s traditional association with ships, but, more significantly, the description of penance as a ‘second plank after shipwreck’, the words of the second canon on penance issued by the Council, recalling a popular image used by St Jerome and Tertullian.”1 (SSPC)
maine. main: Short for main sea n.; the open sea. Now chiefly poetic. Vide 1579   T. North tr. Plutarch Liues 472   The winde stoode full against them comming from the mayne [Fr. le uent se tourna du costé de la pleine mer].
2. fraught. late 14c., "freighted, laden, loaded, stored with supplies" (of vessels); figurative use from early 15c.; past-participle adjective from obsolete verb fraught "to load (a ship) with cargo," Middle English fraughten (c. 1400), which always was rarer than the past participle, from noun fraught "a load, cargo, lading of a ship" (early 13c.), which is the older form of freight (n.). OEtD.
Of a vessel: Laden. Vide 1575   G. Gascoigne Fruites of Warre cvii, in Posies sig. Iiiiiv   The shippes retyre with riches full yfraught. Figurative. fraught with:  (a) attended with, carrying with it as an attribute, accompaniment, etc.;  (b) ‘big’ with the promise or menace of; destined to produce. Vide 1576   A. Fleming tr. Isocrates in Panoplie Epist. 178   Such thinges as bee intricate and fraught with difficulties.
traffic. Goods or merchandise transported for commercial purposes. Vide 1560   in R. G. Marsden Sel. Pleas Court Admiralty (1897) II. 119   In which shipps there be any merchaundizes or traffick apperteining to the ennemies.
3. serue. Serve.
4. Care. Mental suffering, sorrow, grief, trouble. Vide 1596   E. Spenser Second Pt. Faerie Queene iv. viii. sig. G7   Him to recomfort in his greatest care.
5. card. A map or chart; spec. a nautical chart.  Vide ?a1560   L. Digges Geom. Pract.: Pantometria (1571) i. xxxv. sig. L iij   You shall make a sea carde wherin you may by the former rules place Coastes, Harboroughes, Rockes, Sandes,..with their soundings and depthe of ancorage, &c. A disk of stiff paper or similar material marked with the 32 principal bearings, forming the indicator in a magnetic compass. Vide a1616   W. Shakespeare Macbeth (1623) i. iii. 16   All the Quarters that they know, I' th' Ship-mans Card .
       6. shipwrack. Shipwreck. Cf ‘rack and ruin.’  Vide 1589   R. Hakluyt tr. in Princ. Navigations i. 169   If by any casualtie their shippes shall bee driuen on shoare in perill of shipwracke.
Reward. Also from late 14c. sometimes "punishment, recompense for evil-doing." OEtD.  Vide 1590   E. Spenser Faerie Queene iii. v. sig. Gg2v   He from daunger was releast,..Yet not escaped from the dew reward Of his bad deedes.  1610   J. Healey tr. St. Augustine Citie of God xiv. xv. 517   The iust reward that our first parents receiued for their sinne.

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Shun not the shelfe of most deserued shame;
Sticke in the sands of agonizing dread;
Content thee to be stormes' and billowes' game;
Diuorct from grace, thy soule to pennance wed; [10]
Fly not from forraine euils, fly from thy hart;
Worse then the worst of euils is that thou art.


    Do not try to avoid the dangerous sandbank and rocks of the shame deservedly thine; run aground on the sands of agonizing dread; be content to be the plaything of tempests and the great waves of the sea; having divorced and cut thyself off from grace, pledge thyself to contrition, confession and penance; fly not from external evils but fly rather from those within thine own heart — thou art worse than the worst of evils.  


7. shelfe. Shelf: A sandbank in the sea or river rendering the water shallow and dangerous. Also loosely applied to a submerged ledge of rock.
8. agonizing. Causing agony or extreme anguish; exceedingly painful physically or mentally; (in weakened sense) causing worry, causing difficulty in making a choice.
9. billowes. A great swelling wave of the sea, produced generally by a high wind; but often used . . . . poetically for ‘the sea’. Vide 1589   A. Jenkinson in R. Hakluyt Princ. Navigations ii. 358   And much adoe to keepe our barke from sinking, the billowe was so great.
10. Divorced. Note the use of wed as a symmetry of contrast.
Pennance. 1) Pain, suffering, affliction, sorrow. Vide 1598   W. Shakespeare Love's Labour's Lost i. i. 115   Ile keepe what I haue sworne, And bide the pennance of each three yeeres day. 2) Repentance, penitence; amendment of one's life. 3) The performance of some act of self-mortification or the undergoing of some penalty as an expression of sorrow for sin or wrongdoing; religious discipline, either imposed by ecclesiastical authority or voluntarily undertaken, as a token of repentance and as a means of satisfaction for sin; (also) such discipline or observance imposed by a priest upon a penitent after confession, as an integral part of the sacrament of penance.
11. forraine: foreign. Not related to or concerned with the thing or person being considered; of a different nature or character; strange, unfamiliar, alien. Belonging to another; not one's own. Provided by other people or things; coming from an external source.
hart. Heart: The seat or repository of a person's inmost thoughts, feelings, inclinations, etc.; a person's inmost being; the depths of the soul; the soul, the spirit. Vide 1571 Dict. French & Eng. sig. H.ivv   Contre son cueur, dissemblingly, or agaynst his hart.

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Giue vent vnto the vapours of thy brest,
That thicken in the brimmes of cloudie eyes;
Where sinne was hatcht, let teares now wash the nest, [15]
Where life was lost, recouer life with cryes. 
Thy trespasse foule, let not thy teares be few,
Baptize thy spotted soule in weeping dew.


    Give vent to the thoughts and feelings which well up from thy heart and form a thick mist over thine eyes which are awash with grief; let thy tears wash and cleanse the place where sin was hatched; let thy cries of contrition restore life where life was lost; thy transgression was terrible, so weep tears in abundance; like the waters of Baptism, with tears of contrition wash away the stains of sin on thy soul.


13. Give vent. To afford or provide with an outlet or means of escape; to cause or allow to issue or flow out. To give outlet, expression, or utterance (to an emotion, faculty, etc.); to relieve in this way. Perhaps a reference to wind, continuing the metaphor of a ship at sea in stormy weather: late 14c., "emit from a confined space," probably a shortening of aventer "expose oneself to the air" (c. 1300), from Old French eventer "let out, expose to air," from Vulgar Latin *exventare, from Latin ex "out" + ventus "wind." OEtD.
vapours. late 14c., from Anglo-French vapour, Old French vapor "moisture, vapour" (13c., Modern French vapeur) and directly from Latin vaporem (nominative vapor) "a warm exhalation, steam, heat," which is of unknown origin. OEtD.
brimmes. 1) brim: An old poetical word for the sea; also, ‘flood’, water. Vide 1596   E. Spenser Second Pt. Faerie Queene v. ix. sig. V1v   The bright sunne, what time his fierie teme Towards the westerne brim [perh. = edge, horizon] begins to draw. 2) The border, margin, edge, or brink: vide 1597   J. Gerard Herball ii. 249   The bayche and brimmes of the sea. 
14. cloudie. figurative. Darkened by misfortune, grief, anger, forebodings, etc.; full of gloom or trouble; gloomy, sullen, frowning. Vide 1561   T. Hoby tr. B. Castiglione Courtyer ii. sig. K.iiijv   Cloudy and troublous heauinesse.
16. cries. An importunate call, a prayer, entreaty; an appeal for mercy, justice, etc. Vide 1597   R. Hooker Of Lawes Eccl. Politie v. lxi. 138   The vnresistable cryes of suppliants calling vpon you for mercye.
17. trespasse. Trespass: A transgression; a breach of law or duty; an offence, sin, wrong; a fault. Vide 1526   Bible (Tyndale) Matt. vi. f. vijv   And forgeve vs oure treaspases, even as we forgeve them which treaspas vs.
        foule. foul: Grossly offensive to the senses; revolting, loathsome; esp. having a disgusting smell or taste; stomach-churning. In extended metaphors and other figurative contexts, with reference to moral or spiritual corruption. Vide a1535   T. More Wks. (1557) 477   Lest he finally fall into the fowle smoke of helle, where he shall neuer see after.
18. Baptize.
“He speaks of his need for penitential tears, almost as if they were the matter of the sacrament, as water in baptism. . . . .the language here refers not vaguely to a repentant mood, but to the sacrament of penance itself, which, in the words of the doctrine propounded at Trent, ‘has justly been called by holy Fathers a laborious kind of baptism.’” (SSPC).
Cf. Thou shalt sprinkle me with hyssop, and I shall be cleansed: thou shalt wash me, and I shall be made whiter than snow.
Asperges me hyssopo, et mundabor; lavabis me, et super nivem dealbabor. [Ps. l. 9]
spotted. 1) Disfigured or stained with spots. Vide 1619   R. West Schoole of Vertue: 2nd Pt. sig. B3   Keep it neat and cleane, For spotted, dirty, or the like, is lothsome to be seene.
2) Morally stained or blemished with something disgraceful or defiling. Vide 1548   Hall's Vnion: Richard III f. xxixv   That note of infamie with the whiche his fame was iustely spotted and stayned.
dew. Moisture glistening in the eyes; tears. Hence funeral dew. Vide 1598   W. Shakespeare Love's Labour's Lost iv. iii. 27   The night of dew that on my cheekes downe flowes.


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- 4 -

Fly mournfull plaints, the echoes of my ruth
Whose screeches in my frighted conscience ring; [20]
Sob out my sorrowes, fruites of mine vntruth,
Report the smart of sinne's infernall sting;
Tell hearts that languish in the sorriest plight,
There is on Earth a farre more sorry wight.



    Depart from me you mournful cries of grief, the echoes of my remorse, whose shrieks ring around my fearful conscience; let my sorrows, the fruit of my infidelity, in sobs and tears pour forth the pain of sin’s infernal sting; explain to those who feel their hearts are plunged in the sorriest plight that there is one on earth who is in a far sorrier state. 


 
19. ruth. Contrition, repentance; remorse. Vide ?a1603   E. Grymeston Miscelanea (1604) sig. F4v   Thou pardon promisest Where hearts true ruth is showne. Sorrow, grief, distress; lamentation. Vide 1591   E. Spenser tr. Petrarch Visions ii, in Complaints sig. Z2   O how great ruth and sorrowfull assay, Doth vex my spirite with perplexitie.
21. sob. To catch the breath in a convulsive manner as the result of violent emotion, esp. grief; to weep in this fashion. Vide 1530   J. Palsgrave Lesclarcissement 724/1   The poore boye sobbed, as his herte shulde brust.
untruth. Unfaithfulness; lack of fidelity, loyalty, or honesty. Unbelief; lack of faith.
22. smart. Here, mental pain or suffering; grief, sorrow, affliction; (sometimes) suffering of the nature of punishment or retribution. Vide a1591   H. Smith 6 Serm. (1592) 44   He came..when man had sinned, that he might feele the smart of sinne.
23. sorriest. Sorry: Distressed, sad; feeling grief or sorrow. Causing distress or sorrow; painful, grievous, dismal. Vide 1513   G. Douglas tr. Virgil Æneid iii. iv. 13   The fluid of Stix, that sory place.
plight. In negative sense: an unfortunate condition or state. In early use often with modifying word, as evil, sorry, woeful. Vide c1595   Countess of Pembroke Psalme cvii. 17 in Coll. Wks. (1998) II. 170   They cri'd to him in woefull plight.
24. wight. A human being, man or woman, person. Now archaic or dialect (often implying some contempt or commiseration, as in ‘wretch’). Vide 1567   G. Turberville Epitaphes, Epigrams f. 34   Away shee went a wofull wretched Wight.


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- 5 -

A sorrie wight, the object of disgrace, [25]
The monument of feare, the map of shame,
The mirrour of mishap, the staine of place,
The scorne of Time, the infamy of Fame,
An excrement of Earth, to heauen hatefull,
Iniurious to man, to God vngratefull. [30]


    A pitiful wretch, the object of disgrace, an effigy of fear, the embodiment of shame, the mirror of suffering, the sullying stain of a position granted by Christ, the object of Time’s contempt,  the shameful infamy of reputation, foul outcast of Earth, hateful to Heaven; causing harm to man and ungrateful to God.

25. a sorrie wight. Vide supra 23.
disgrace. 1580s, "state of being out of favor of one in a powerful or exalted position;" also "cause of shame or reproach;" 1590s, "state of ignominy, dishonour, or shame," from French disgrace (16c.), from Italian disgrazia, from dis- (see dis-) + grazia, from Latin gratia "favor, esteem, regard; pleasing quality, good will, gratitude".
26. monument. Something that serves as a reminder of, or witness or tribute to, a way of life. An effigy; a carved figure, statue. A statue or other structure erected in memory of the dead.
map. An embodiment or incarnation of a quality, characteristic, etc.; the very picture or image of something. Vide a1591   H. Smith Sinfull Mans Search (1592) sig. A6   What were man if hee were once left to himselfe? a map of miserie.
27. mirror. A person or thing embodying something to be avoided; an example, a warning. Vide c1550   Complaynt Scotl. (1979) xi. 74   The onfaithful cruel act..suld be mirrour and ane exempil til al scotland.
mishap. An unlucky accident, unfortunate event. The suffering of misfortune or harm; injury, harm, damage. Vide  1587   R. Greene Morando ii. sig. Ej   Fewe or none whiche onely fixe their fancie vpon Beautie, escape without mishappe or miserie.
staine. stain: The action of staining; pollution, disgrace. A morally defiling effect on the character or conscience; a grave blemish on a person's reputation; a mark of infamy or disgrace, a stigma. Vide 1594   W. Shakespeare Lucrece sig. M1v   How may this forced staine be wip'd from me?
place. A job, office, or situation. Formerly: spec. high office in the service of the crown or state. Perhaps a reference to the place or position awarded to Peter by Christ, which through his betrayal Peter besmirched or stained. 
28. fame. The character attributed to a person or thing by report or generally entertained; vide 1487  (▸a1380)    J. Barbour Bruce (St. John's Cambr.) ix. 574   A knycht..Curtas and fair, and of gude fame.
29. excrement. Superfluous matter thrown off by a plant, animal or as here, the earth; note that man was created from the earth by God. Vide 1565   T. Cooper Thesaurus   Excrementum, the dregges or excrementes of digestion made in the bodie; as fleume, choler, melancholie, urine, sweate, snivell, spittel, milke, ordure. Figurative. In 16–17th centuries often as an opprobrious designation of persons. Vide 1561   T. Norton tr. J. Calvin Inst. Christian Relig. Author's Pref.   Abject sillie men we be..yea and if you will, certaine excrements and outcasts of the world.


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- 6 -


Ambitious heads, dreame you of Fortune's pride,
Fill volumes with your forged goddesse' prayse;
You Fancie's drudges, plung'd in Follie's tide,
Devote your fabling wits to louers' lays:
Be you, O sharpest griefes that euer wrung, [35]
Text to my thoughts, theame to my playning tung.


    Minds that are swollen with ambition, you dream of becoming Fortune’s favourite; your writings fill volumes with praise of a mythical goddess; your imagination toils like drudges for Fancy’s love, plunging in the current and going with the flow of the tide; you devote your creative talents to composing lovers’ ditties. 
For myself, let the sharpest pains of grief ever to torment a man form the text for my thoughts and the melody for the mournful song.

31-34. The general sense here reflects Southwell's words taken from his introductory Epistle (RS-DS, p1) 
"Poetes by abusing their talent, and making the follies and feynings of love the customary subject of their base endeavours, have so discredited this faculty that a Poett a lover and a lyer, are by many reckoned but three words of one significacon [. . .] For in lieu of solemne and devoute matter, to which in dutye they owe their abilities, they now busy themselves in expressing such passions as onely serve for testimonies to howe unworthy affections they have wedded their willes."
It has been suggested that Southwell has in mind life under the “virgin queen” Elizabeth.
“Southwell has replaced the subject of Peter with talk of volumes in praise of a false goddess, leading the reader’s mind away from the Gospel towards thoughts of the female-centred Elizabethan court, with its hierarchy of favourites and its poetics of praise.’ ‘You Fancie's drudges, […] / Devote your fabling wits to louers' lays’, Southwell now has his Peter say; that hackneyed courtly poetic of unrequited love cannot match his grief, beyond the powers even of ‘Jeremy’ (Jeremiah) to express (l.40).” [RS-DS, p136] 
31. Fortune’s pride. There are several possible meanings here: 1) the ambitious heads dream of Fortune helping them to achieve worldly fame and reputation; 2) Fortuna may be the goddess referred to in line 32 and the heads seek to win worldly success by flattering her pride; 3) the heads dream of becoming Fortune’s favoured ones. Cf the use in Henry IV Pt I where the King contrasts his own son Hal with Hotspur, “who is sweet Fortune's minion and her pride.” [Act 1 Scene 1 line 84]
32. forged. Forge: To fabricate, frame, invent (a false or imaginary story, lie, etc.); to devise (evil). Also, to pretend (something) to have happened, to fable.
Goddesse. Goddess: either Fortuna, or perhaps Venus: Cf. supra:  Still finest wits are stilling Venus Rose (from line 16 in The Author to the Reader). Vide supra, note on 31-34.
33. Fancie: 1) In early use synonymous with imagination. Vide 1581   T. Howell Deuises (1879) 229   The flaming dartes, That Fancie quickly burne with quenchlesse fyre. 
2) Caprice, changeful mood; an instance of this, a caprice, a whim. Vide 1579   G. Harvey Let.-bk. (1884) 86   A foolish madd worlde, wherein all thinges ar overrulid by fansye.
3) Amorous inclination, love. Vide 1600   Shakespeare Merchant of Venice iii. ii. 63   Tell me where is fancie bred.
drudges. drudge: One employed in mean, servile, or distasteful work; a slave, a hack; a hard toiler. Vide 1579–80   T. North tr. Plutarch Lives (1676) 791   Getting their living as drudges and slaves, to do most vile Service.
tide. Applied to that which is like the tide of the sea in some way; as in ebbing or flowing, rising or falling, or ‘turning’ at a certain time. Vide a1616   W. Shakespeare Julius Caesar (1623) iv. ii. 270   There is a Tide in the affayres of men, Which taken at the Flood, leades on to Fortune.
34. lays. A short lyric or narrative poem intended to be sung.  Vide 1609   W. Shakespeare Pericles xx. 4   Shee sings like one immortall, and shee daunces As Goddesse-like to her admired layes .
35. wrung. From to wring: To twist, turn, or struggle in pain or anguish; to writhe. Vide a1616   W. Shakespeare Cymbeline (1623) iii. vi. 76   He wrings at some distresse. 1594   W. Shakespeare Titus Andronicus iv. iii. 49   Wrung with wrongs more than our backs can beare.
36. theame. Theme: The principal melody, plainsong, or canto fermo in a contrapuntal piece; hence, any one of the principal melodies or motives in a sonata, symphony, etc.; a subject; also, a simple tune on which variations are constructed. Vide [1597   T. Morley Plaine & Easie Introd. Musicke 86   Your plainsong is as it were your theme, and your descant as it were your declamation.]


Totus tuus ego sum
Et omnia mea tua sunt;
Tecum semper tutus sum:
Ad Jesum per Mariam.

16 September 2022

St Peter's Complaynt : The Author to the Reader

[These posts contain revised and expanded notes to St Peter's Complayntconsidered by many to be the last poem written by St Robert Southwell ("RS") before his martyrdom on the 21st of February 1595.  The original series of posts was first published in 2018 on our sister site, Mary's English DowryI have expanded my original notes so as to provide a more detailed critical apparatus - with fairly extensive use of quotations from the period in which RS wrote. I have also included paraphrases with the aim of making the poet's language more accessible to modern readers.]

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The Tears of St Peter. El Greco.
RS is believed to have started work on the theme of Peter's betrayal and repentance as early as 1584 in Rome where he studied Tansillo's Le Lagrime di San Pietro (the tears of St Peter). The long version may well have been the last poem he completed before his execution at Tyburn on the 24th February 1595. It circulated firstly in manuscript amongst recusants and several scholars argue that it influenced Shakespeare in his Rape of Lucrece and Venus and Adonis.[1]

[1]  Devlin, The Life of Robert Southwell, p. 269-73.

👈The Tears of St Peter -1587 until 1596 
El Greco (Domḗnikos Theotokópoulos) 1541-1614
Museo Soumaya at Plaza Carso, Mexico.





 

At one level, the poem explores Peter's personal sins of denial, betrayal and cowardice, leading to bitter sorrow and true contrition of heart. At another level, this treatment has reference to the fear of Catholics under the harsh Elizabethan regime and to the risk of betrayal and apostasy. Finally, the poem also touches on the universal themes of sin, betrayal, cowardice and repentance.

It has been argued that the structure of the poem is based upon the essential elements of sacramental confession:

“...the words are those of Peter, as if he were in the presence of a priest at the tribunal of penance: in this imaginative development all those elements contained within the sacrament of the Church are set out in order : contrition, confession, the desire to make satisfaction, and the reception of absolution. These comprise the matter and form of the sacrament as defined at Trent [1] :
 
The holy synod doth furthermore teach that the form off the sacrament of penance, wherein its force principally consists, is placed in those words of the minister, “I absolve thee, et.” . . . . But the acts of the penitent himself, to wit, confession and satisfaction, are as it were, the matter of this sacrament.” [2]

[1] 1545-1563
[2] The Structure of Southwell's ‘Saint Peter's Complaint.’ Nancy Pollard Brown. MLR, Vol LXI January 1966.

Sources and abbreviations


OED     The Oxford English Dictionary
RS         St Robert Southwell 
RS-AG  The Complete Poems of Robert Southwell. Rev Alexander B Grosart (1872) 
RS-DS   St Robert Southwell, Collected Poems. Edited by Peter Davidson and Anne Sweeney. Carcanet Press Ltd. (2007)
SSPC    The Structure of Southwell's "Saint Peter's Complaint". Nancy Pollard Brown. The Modern Language Review.Vol. 61, No. 1 (Jan., 1966), pp. 3-11 (9 pages)

The text used is that of the Waldegrave MS, as set out in the RS-DS edition of the Collected Poems. In the notes, I have used (where possible) quotations taken from sources close to the period of composition. All references in Notes are to the OED unless otherwise stated.

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The Author to the Reader


RS includes the four stanzas by way of an introduction. The paraphrases and notes follow.


- 1 -

Dear eye that daynest to let fall a looke 
On these sad memories of Peters plaints : 
Muse not to see some mud in cleerest brook : 
They once were brittle mould that now are saints. 
Theyr weakenes is no warrant to offend, 
Learn in their faults, what in thine owne to mend. 

- 2 -

If equities even-hand the balance held, 
Where Peters sinnes and ours were made the weightes :
Ounce, for his dramme: Pound, for his ounce we yeeld:
His ship would groane to feele some sinners freightes. 
So ripe is vice, so green is vertues bud : 
The world doth waxe in ill, but waine in good. 

- 3 -

This makes my mourning Muse resolve in tears, 
This theames my heavy pen to plaine in prose,
Christs Thorn is sharp, no head his Garland weares; 
Still finest wits are stilling Venus Rose.
In paynim toys the sweetest vaines are spent: 
To Christian workes, few have their tallents lent. 

- 4 -

License my single penne to seeke a pheere
You heavenly sparkes of wit, show native light:
Cloud not with mistie loves your Orient cleere,
Sweet flights you shoot; learne once to levell right.
Favour my wish, well-wishing workes no ill:
I move the Suite, the Graunt rests in your will.


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Paraphrase and Notes

- 1 -

Dear eye that daynest to let fall a looke 
On these sad memories of Peters plaints : 
Muse not to see some mud in cleerest brook : 
They once were brittle mould that now are saints. 
Theyr weakenes is no warrant to offend, [5]
Learn in their faults, what in thine owne to mend. 


The poet begins here by apostrophizing his reader: “Dear eye.” 

Dear reader, you have allowed your gaze to fall upon these sad memories of Peter's sorrow and grief. Do not be surprised to find the occasional fault in a good and holy man, just as you might find mud within a stream of clearest water. Even those who are now saints began with a nature prone to fragility and sin; but do not take this as an authorization to imitate their weakness; you should instead learn from their faults so as to correct your own failings. 

1. daynest. deignest. intransitive. To think it worthy of oneself (to do something); to think fit, vouchsafe, condescend. Vide  a1592   R. Greene Frier Bacon (1594) sig. C4v   Would he daine to wed a countrie lasse. a1616   W. Shakespeare Henry VI, Pt. 3 (1623) iv. viii. 39   And all those friends, that deine to follow mee.
2. plaints. c. 1200, pleinte, “lamentation, mourning, audible expression of sorrow,” from Old French plainte “lament, lamentation” (12c.), from Latin planctus “lamentation, wailing, beating of the breast,” from past-participle stem of plangere “to lament; to strike (the breast, in grief or mourning),” from PIE root *plak- (2) “to strike.” The connecting notion in Latin probably is beating one's breast in grief. OEtD.
3. Muse. intransitive. To be affected with astonishment or surprise; to wonder, marvel. With at, †of, †to. Obsolete. Vide  a1616   W. Shakespeare Macbeth (1623) iii. iv. 84   Do not muse at me my most worthy Friends.
4. mould. The word at first seems to be linked to the word mud in the previous line, underlined by the alliteration. One of its meanings is earth or soil: see 1535   Bible (Coverdale) Tobit viii. 6   Thou maydest Adam of the moulde of the earth. 1590   C. Marlowe Tamburlaine: 2nd Pt. sig. I4   Made of the mould whereof thy selfe consists. The meaning then becomes: Those who are now Saints had the humblest of beginnings. Note the etymology of humble :Latin humil-em low, lowly, small, slight, mean, insignificant, base, < humus ground, earth. An alternative meaning of mould is however suggested by the adjective brittle:  The distinctive nature of a person or thing, esp. as indicative of origin; constitution, character. Vide  1589   True Coppie Disc. Late Voy. Spaine & Portingale (1881) 81 They bee of so base a mould, as they can verie well subject themselves to any government.
brittle. In a literal sense: Hard but liable to break easily; fragile, breakable; but note the figurative use: Inconstant, fickle; untrustworthy; unreliable. Vide ?1548   J. Bale Comedy Thre Lawes Nature ii. sig. Avv   Hys bryttle nature, hys slyppernesse to waye. 1588   R. Greene Pandosto sig. F4v   Hot desires turne oftentimes to colde disdaine: Loue is brittle, where appetite, not reason beares the sway.
5. Weakenes. Weakness.
warrant. Something which authorizes.

- 2 -

If equities even-hand the balance held, 
Where Peters sinnes and ours were made the weightes :
Ounce, for his dramme: Pound, for his ounce we yeeld:
His ship would groane to feele some sinners freightes. [10]
So ripe is vice, so green is vertues bud : 
The world doth waxe in ill, but waine in good.


The poet contrasts the weaknesses or faults of his readers with those of Peter.

Imagine that even-handed equity was holding a set of scales with Peter's sins on one side and ours on the other. Our sins would so far outweigh Peter's as an ounce outweighs a dram, or a pound outweighs an ounce — sixteen-fold. If our sins were to be loaded on board Peter's ship, it would creak and groan under the burden. So heavy are the fruits of our vice and so slight are the buds of our virtue that the evil in the world grows great but the good wanes and grows small.

    7. equities. Equity:  The quality of being equal or fair; fairness, impartiality; even-handed dealing. Vide 1588   J. Udall State Church of Eng. sig. E2v   Weigh it in the ballance of equitie.
dramme. A weight, originally the ancient Greek drachma n.; hence, in Apothecaries' weight, a weight of 60 grains = 1/ 8 of an ounce; in Avoirdupois weight, of 271/ 3 grains = 1/ 16 of an ounce; = drachm.
    10. His ship. These words recall Simon Peter's calling as a fisherman on the Sea of Galilee and his calling by Christ: “And Jesus walking by the sea of Galilee, saw two brethren, Simon who is called Peter, and Andrew his brother, casting a net into the sea (for they were fishers). And he saith to them: Come ye after me, and I will make you to be fishers of men.” [Matt. iv. 18-19]. The Church founded by Christ on the “rock” (Peter) was to be known as the barque of Peter, the Ark of Salvation prefigured by Noah's ark.
freightes. Freight: The cargo or lading (of a ship); a shipload. Perhaps with a play on the meaning frights or fears: vide c1440   Promptorium Parvulorum 177/2   Freyhte, or feer..timor, pavor, terror.

- 3 -

This makes my mourning Muse resolve in tears, 
This theames my heavy pen to plaine in prose,
Christs Thorn is sharp, no head his Garland weares; [15]
Still finest wits are stilling Venus Rose.
In paynim toys the sweetest vaines are spent: 
To Christian workes, few have their tallents lent. 


    This makes my mournful Muse dissolve into tears; this provides the theme for my heavy heart to write in poetry what would be too plain in prose. The thorns in Christ’s Crown cause sharply piercing pain and so writers choose to shun this garland of suffering. Instead, the finest minds prefer to spend their time distilling the perfumed essence of Venus’ rose, taking for their theme romantic and physical love. They expend their vain efforts in a style that focuses on the affairs and dalliances dear to pagans. Few are the poets who have lent their talents to write of Christian charity.

    13-14.   Cf. an alternative interpretation of lines 13-14: “But one solitary pen (see line 19) has remained faithful to a higher love, even though its inspiration, its ‘muse,’ weeping like a Magdalen, flags in the face of such wasted talents, and can barely write anything but complaining prose.” (RS-DS, pp135-6).
    13. Muse. The inspiration of poetry or song, invoked as if being the only Muse (of the nine goddesses regarded as presiding over and inspiring learning and the arts). The poet here writes “my . . . . Muse” and the sense becomes : the inspiring goddess of a particular poet; (hence) a poet's particular genius, the character of a particular poet's style. There is also a possible suggestion of: An act or period of musing; a spell of thoughtfulness or reflection. Vide 1578   J. Banister Hist. Man iv. f. 54v   When a man by earnest study or muse vnto him selfe, vpon any earnest or waighty matter.
resolve. To melt; to dissolve; to become liquid. Vide 1611   B. Jonson Catiline iii. sig. H2   May my braine Resolue to water, and my bloud turne phlegme. a1616   W. Shakespeare King John (1623) v. iv. 25   Euen as a forme of waxe Resolueth from his figure 'gainst the fire.
14. theames. To theme: to furnish with a theme or subject. Vide 1641   J. Jackson True Evangelical Temper i. 10 [Points] capable to be spread out so as to theame the Preachers speech. 
plaine. To give expression to sorrow, grief, etc.; to complain of a (source of) grief or sorrow; to weep, lament. Vide a1586   Sir P. Sidney Arcadia (1590) ii. v. sig. R4   Though he plaine, he doth not complaine: for it is a harme, but no wrong, which he hath receiued.
16. stilling. To still: To extract or produce by distillation.  Vide 1590  C. Marlowe Tamburlaine: 1st Pt. sig. E4   The heauenly Quintessence they still From their immortall flowers of Poesy.
Venus Rose. The association of the rose with Venus arises from various versions of the story of Aphrodite's love for Adonis. According to one version, Aphrodite ran to warn Adonis that Ares had sent a wild boar to kill him. She arrived too late, and pricked her flesh with the thorn of a white rose. Drops of her blood turned the petals of the rose red which then became a symbol of undying love.
17. paynim. Pagan. Vide a1500   tr. A. Chartier Traité de l'Esperance (Rawl.) (1974) 124 (MED)   The people which war of panyme religion made theire prayer to..ydoles.
toys. Toy: Amorous behaviour or sexual activity, caressing; dalliance, flirtation. Also: an act or instance of this. Vide c1525   Bk. Mayd Emlyn sig. B.ii   She was full ranke..In Venus toyes Was all her Ioyes. 1594   Willobie his Auisa xlvii. f. 43v   Though coy at first she seeme.., These toyes in tyme will make her yielde.
Vaines. 1) Vain: Vanity; a vain thing. Vide  1593   T. Nashe Christs Teares To Rdr.   Into some splenative vaines of wantonnesse, heeretofore have I foolishlie relapsed. 1628   O. Felltham Resolves: 2nd Cent. lii. sig. R6   The power of the Gospel, in crying downe the vaines of men. Or possibly 2) A particular, individual, or characteristic style of language or expression. Vide 1548   N. Udall in N. Udall et al. tr. Erasmus Paraphr. Newe Test. I. Luke: Pref. f. vi   Euery man hath a veine of his owne, eyther by imitation so confirmed, or by long vse so rooted, or of desyre to be playne and clere, so growen into an habite: that [etc.]. 1652   R. Brome Joviall Crew i. sig. C4v   What say, Sir, to our Poet Scribble here? Spr. I like his vain exceeding well.

- 4 -

License my single penne to seeke a pheere
You heavenly sparkes of wit, show native light: [20]
Cloud not with mistie loves your Orient cleere,
Sweet flights you shoot; learne once to levell right.
Favour my wish, well-wishing workes no ill:
I move the Suite, the Graunt rests in your will.

    Permit my solitary pen to seek company. You writers gifted from on high with heavenly wit, show forth the illumination that comes from within yourselves. Don't allow misty-eyed preoccupations with love and romance to obscure the clarity of your brightness. You fire sweet volleys of love’s arrows;  but you should rather learn to aim at that which is right. Look with favour upon my wish, since well-wishing causes no-one any harm. I move the suit, making my request; it is within your power to allow it. 

    19-22. Cf. Southwell's words taken from his introductory Epistle (RS-DS, p1) 
"Poetes by abusing their talent, and making the follies and feynings of love the customary subject of their base endeavours, have so discredited this faculty that a Poett a lover and a lyer, are by many reckoned but three words of one significacon [. . .] For in lieu of solemne and devoute matter, to which in dutye they owe their abilities, they now busy themselves in expressing such passions as onely serve for testimonies to howe unworthy affections they have wedded their willes."
    Cf. an alternative reading: “ . . . asking those sparks of divine wit that are his godly part to assist him in making English poetry the handmaid of God, not Eros.” [RS-DS, p. 136]
    19. single. Of, pertaining to, or connected with, one person only. Frequently with possessive pronoun. Vide ?1592   Trag. Solyman & Perseda sig. E2   With my single fist, Ile combat thee.
pheere. fere: a companion, comrade, mate, partner. 
    20. native. Inherent, innate; belonging to or connected with something by nature or natural constitution.  Vide 1599   J. Davies Nosce Teipsum 13   A Starre, whose beames do not proceed From any Sunne, but from a natiue light. 
    In one sense, the poet (the ‘single penne’) is looking for fellow-poets to join him and lend their talents to Christian works rather than pagan playthings and fancies. In another sense, a faithful believer is seeking companions to reflect upon the themes of the poem: sin, betrayal, repentance, confession, forgiveness and satisfaction.
    Orient. The rising of the sun; daybreak, dawn. Possibly used here in the sense of natural brightness. 
    21. Don't allow misty-eyed preoccupations with love and romance to obscure the clarity of ‘your Orient’. The ‘Orient’ is one of the titles of the Messias, the true light of the world, and the sun of justice. Vide "in which the Orient from on high hath visited us:  To enlighten them that sit in darkness, and in the shadow of death: to direct our feet into the way of peace." [Luke i.]
    22. sweet. Pleasing (in general); yielding pleasure or enjoyment; agreeable, delightful, charming. Pleasing to the ear; having or giving a pleasant sound; musical, melodious, harmonious: said of a sound, a voice, an instrument, a singer or performer on an instrument. Of song or discourse, and hence transferred of a poet, orator, etc. Pleasing to the ear and mind; pleasant to hear or listen to; sometimes implying ‘persuasive, winning’, or in bad sense, ‘alluring, enticing’. Vide, a1533   Ld. Berners tr. A. de Guevara Golden Bk. M. Aurelius (1546) sig. E.j   He was so swete in his wordes, that many tymes he was harde more than thre houres togyther. 
    Note too the sense of pleasing in love: a1300   Havelok 2927   [He] dide him þere sone wedde Hire þat was ful swete in bedde.
    flights.  A volley of missiles, esp. arrows. 1591   W. Garrard & R. Hitchcock Arte of Warre 2   A whole flight of arrowes.  
    Sweet flights you shoot: see l17 ‘the sweetest vaines’: Poets made frequent references to Cupid’s bow in their ‘paynim toyes’: e.g. Oberon's words from from Act 2 Scene 1 of A Midsummer Night's Dream:

That very time I saw (but thou couldst not)
Flying between the cold moon and the Earth,
Cupid all armed. A certain aim he took
At a fair vestal thronèd by the west,
And loosed his love shaft smartly from his bow
As it should pierce a hundred thousand hearts.

level. To aim (a missile weapon). The other poets should aim (levell) rather for what is right and true. Vide 1587   J. Hooker Chron. Ireland 131/1 in Holinshed's Chron. (new ed.) II   He charged his peece, and leueled the same vnto the said Peter Carew.
    24. Suite. Suit: The action or an act of suing, supplicating, or petitioning; earnest search for or endeavour to obtain something. A process instituted in a court of law for the recovery or protection of a right, the enforcement of a claim, or the redress of a wrong.

To be continued (D.V.)

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Totus tuus ego sum
Et omnia mea tua sunt;
Tecum semper tutus sum:
Ad Jesum per Mariam.

25 April 2022

St Mark's Gospel : A New Life

This is a cross-post from our sister-blog, The Life of Christ Our Lord, explaining that the Gospel according to St Mark is being presented in instalments, with illustrations by J-J Tissot and notes taken from Madame Cecilia's Scripture Manual (see below).


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The Light of the World. Holman Hunt. c1850.
St Paul's Cathedral, London.
"Let therefore our chief endeavour be to meditate upon the life of Jesus Christ"


1. He that followeth Me, walketh not in darkness,[1] saith the Lord. These are the words of Christ, which teach us to imitate His life and manners, if we would be truly enlightened, and delivered from all blindness of heart. Let therefore our chief endeavour be to meditate upon the life of Jesus Christ.

2. The teaching of Christ exceeds all the doctrines of holy men; and he that hath the Spirit will find therein the hidden manna. But it happens that many, who often hear the Gospel of Christ, are yet but little affected, because they have not the Spirit of Christ. But whosoever would fully and feelingly understand the words of Christ, must endeavour to conform his life wholly to the life of Christ.

 


1. Qui sequitur me non ambulat in tenebris dicit Dominus. Hæc sunt verba Christi, quibus admonemur quatenus vitam eius et mores imitemur, si volumus veraciter illuminari, et ab omni cæcitate cordis liberari. Summum igitur studium nostrum, sit in vita Jesu meditari.

2. Doctrina Ejus omnes doctrinas Sanctorum præcellit, et qui spiritum haberet absconditum ibi manna inveniret. Sed contingit quod multi ex frequenti auditu Evangelii parvum desiderium sentiunt, quia spiritum Christi non habent. Qui autem vult plene et sapide verba Christi intelligere, oportet ut totam vitam suam illi studeat conformare.
[Book I, the Imitation of Christ, by Thomas à Kempis]
 [1]   I am the light of the world: he that followeth me, walketh not in darkness, but shall have the light of life.
Ego sum lux mundi : qui sequitur me, non ambulat in tenebris, sed habebit lumen vitae. John viii. 12.

It has become my custom to recite these words as a preamble to evening prayer, lighting a candle  at the very instant the word illuminari is uttered. At this point, I sometimes recall Christ's words in the Sermon on the Mount:

But thou when thou shalt pray, enter into thy chamber, and having shut the door, pray to thy Father in secret: and thy Father who seeth in secret will repay thee.
Tu autem cum oraveris, intra in cubiculum tuum, et clauso ostio, ora Patrem tuum in abscondito : et Pater tuus, qui videt in abscondito, reddet tibi. [Matth. vi 6]

 

Meditating on the Life of Jesus Christ


St Mark the Evangelist. J-J Tissot. Brooklyn Museum.
I have explored the Life of Christ in a previous series of posts, the last of which concluded in October 2020. The previous posts were based on the work in words and pictures of  l'Abbé Constant Fouard and J-J Tissot

The final line of my adopted motto (see end of post) is Ad Jesum per Mariam, and it seems that our Blessed Mother is inviting me to approach her Son Jesus through a new study, but from the perspective of my patron saint, Peter the Apostle. There is widespread agreement amongst commentators that St Mark's gospel has a particularly close connection to St Peter.[2] This, together with the providential occurrence of the the feast of St Mark today, persuaded me to explore the life of Christ as set out by St Mark, relying on a work by Madame Cecilia published in 1904 entitled The Gospel according to St Mark. I am familiar with her work because in the 1980's I acquired several hard copies in her series of scripture manuals. I gave them away but I have found a number of versions online (see Archive.org.)

[2] Papias (Eusebius, Church History III.39) asserts not later than A.D. 130, on the authority of an "elder", that Mark had been the interpreter (hermeneutes) of Peter, and wrote down accurately, though not in order, the teaching of Peter.


Detail from the Venetian flag, showing the Lion of St Mark and the words:
"Peace be to thee Mark, my Evangelist." Tradition has it that St. Mark's
remains were transferred from Alexandria (where he suffered martyrdom)
to Venice where they are reserved in the
Patriarchal Cathedral Basilica of Saint Mark. 

 
Totus tuus ego sum
Et omnia mea tua sunt;
Tecum semper tutus sum:
Ad Jesum per Mariam.